Åsa Elzén
Forest Calling – A Never-ending Contaminated Collaboration
or Dancing is a Form of Forest Knowledge /
Skogen kallar – Ett oändligt kontaminerat samarbete eller
Dansandet är en form av skogskunskap
– Extension #2 at The Experimental Field, Accelerator, SU
– Extension #1 In Forest Intervals
Notes on a Fallow – The Fogelstad Group and Earth /
Träda – Fogelstadgruppen och jord
– A Growing Fallow Archive / Ett växande träda-arkiv
– Biography of a Fallow / En trädas biografi
– Transcript of a Fallow / Avskrift av en Träda
– Fogelstad Fågelstad Fågelsta Fågelholk Fågelbo
– The Other School / Den andra skolan
– A Growing Archive on the Women’s Barn and Livestock
School at Fogelstad / Ett växande arkiv över Kvinnliga
Ladugårdsutbildningen vid Fogelstad
– A Step to the Side / Ett steg åt sidan
– A Growing Peace with the Earth Collection
– Transcript of Transcripts: Elin – Bang /
Avskrifter av avskrifter: Elin – Bang
– Why do things when you could leave it? – An attempt,
an in-between land / Varför gör man saker då man kunde
låta bli? – Ett försök, ett gränsland
While I am trying to get to know Fredrika, I am always
– Memory of an Event I (Dear Honorine / Dearest Signe)
Mary Wollstonecraft’s Scandinavian journey 1795 re-traced
YES! Association/Föreningen JA!
– A New Spelling of a Street – A tribute to Audre Lorde
– All that you touch You Change. All that you Change
– (art)work(sport)work(sex)work
– Zyklische Gesellschaftsreise
Left:
Three sculptures depicting Elisabeth Tamm in unburnt clay from the fields at Fogelstad
Tre skulpturer föreställande Elisabeth Tamm i obränd lera från Fogelstads åkrar
approx 15 - 25 cm, Maren Holebakk, late 1950s?
part of Notes on a Fallow – The Fogelstad Group and Earth
Träda – Fogelstadgruppen och jord
The earth in fields at Fogelstad was rich in clay. Maren Holebakk was a student at the Women’s Barn and Livestock School at Fogelstad and then stayed at Fogelstad all her life. She came to work as a barn foreman, and a teacher at the Women’s Barn and Livestock School. She was also an artist, and brought home clay from the fields when she was out working. From the clay, she sculpted portraits of people she came in contact with at Fogelstad, friends, mistresses, co-workers, refugees who lived on the farm during the war, participants from the Womens’ Citizen school at Fogelstad, and above all of the students who attended the Women’s Barn and Livestock School. Maren did not to burn her sculptures as she preferred the feeling and quality of the unburnt.
...
below: A step to the side, work in progress, 5 May 2020
Right:
A step to the side
Ett steg åt sidan
unburnt clay from the fields at Fogelstad, apprx. 24 x 24 x 24 cm, dug up 5 May 2020, 2020
part of Notes on a Fallow – The Fogelstad Group and Earth
Träda – Fogelstadgruppen och jord
The earth at Fogelstad is still rich in clay.
Related to:
A Growing Archive on the Women’s Barn and Livestock School at Fogelstad
