Curriculum Vitae: Åsa Elzén
Born in Sweden. Lives and works in Näshulta, Sörmland, Sweden.
Education (selected)
2007-08………Whitney Independent Study Program, New York
2000-02………M.F.A. Royal University College of Fine Art, Stockholm
1991-96………B.A. 1st Class Honours, Fine Art Sculpture, National College of Art and Design, Dublin
Group Shows / Performances / Film Screenings (selected)
2019...........-Part of the Labyrinth, GIBCA 10th edition, Gothenburg, SWE, curated by Lisa Rosendahl
2018...........-Bie biennal/text, Bie, Sweden, curated by Lars Hermansson and Daphne Carolus
2017...........-Performing Relationships, KV Leipzig, Leipzig, (YES! Association / Föreningen JA!) curated by Krisztina Hunya_Daniel Niggemann
-The Work of Love, The Queer of Labor, Franklin Street Works, Stamford CT, (YES! Association / Föreningen JA!) curated by Olga Kopenkina and
Yevgeniy Fiks
2016...........-A new job to unwork at, Artspace, New Haven CT, (YES! Association / Föreningen JA!) curated by Andrew Kachel and Clara López Menéndez
-Feminism is Politics!, Pratt Manhattan Gallery, NYC (YES! Association / Föreningen JA!) curated by Olga Kopenkina
-Hanna Arendt Memorial Smoking Porch, installment and inauguration of a public work, Hanna Arendt Center, Bard College, Annandale-on-Hudson,
NY, (YES! Association / Föreningen JA!)
-Bie biennal, Bie, Sweden
-NYPÅSTIGNA / NEW PASSENGERS, Stockholm Public Transport, Part of Malin Arnell’s Avhandling / Av_handling (Dissertation / Through_Action)
(YES! Association / Föreningen JA!), DOC, Stockholm
-Proposition #2 – A Republic of Letters, within OUR FUTURE NETWORK, performance / workshop within a 4 day workshop organized by Alex
Martinis Roe, commissioned by Casco, If I Can’t Dance I Don’t Want To Be Part Of Your Revolution, The Showroom
2014………-A Gift to Birobidzhan, 21ST PROJECTS, New York, curated by Yevgeniy Fiks
-History, History, Funen Art Academy, Odense, Denmark, in collaboration with students of the academy and Karen Mette Fog Pedersen
-The Beginning is Always Today – Contemporary Feminist Art in Scandinavia, Västerås Konstmuseum, Sweden
-Cliché verre reloaded – An Attack on Time, Lindenau Museum, Altenburg, initated by Vlado and Maria Ondrej, curated by Natalie de Ligt and
Frank Motz
2013………-Zyklische Gesellschaftsreise, (YES! Association / Föreningen JA!) Berlin S-Bahn Ring, presented by the NGBK project WIR SPIELEN,
(participatory performance)
-The Beginning is Always Today – Contemporary Feminist Art in Scandinavia, Sörlandets Kunstmuseum, Kristiansand, Norway
-FORRÅDT 100 Years! – Art Festival Bergen, (YES! Association/Föreningen JA!) organized by Bergen Art College, Gallery 3,14 and Knispu
-Cliché verre reloaded – An Attack on Time, Spinnerei Archiv Massiv, Leipziger Baumwollspinnerei, Leipzig, initated by Vlado and Maria Ondrej,
curated by Natalie de Ligt and Frank Motz
2012………-Anti-Establishment, CCS Bard Hessel Museum of Art, Annandale-on-Hudson, NY, (YES! Association/Föreningen JA!) curated by Johanna Burton
-Lee H. Jones in dialogue with YES! Association/Föreningen JA! at BODY OF WORK, IASPIS, Stockholm, a project by Lucie Fontaine (performance)
-Breaking with Homogeneity, OPEN FORUM, THE ARMORY SHOW, NYC, (YES! Association/Föreningen JA!) curated by Amanda Parmer
(performance at panel discussion)
-Dwelling Place, Taiwan International Video Art Exhibition, Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan
-An Act in the Commons, Strömstad Museum, Sweden, curated by Anna Wignell and Sarah Hansson
2011………-Chisinau Circumvention, Moldova Young Artists Association Oberliht, Arthotel and Flatspace, Chisinau, Moldova, (YES! Association/Föreningen
JA!), curated by Stefan Rusu and Martin Schibli
-Where Dreams Cross, Cinema Queer & Stockholm Pride, Södra Teatern, Stockholm, curated by Åsa Falewicz Segerstedt
2010………-Second World Congress of Free Artists, part of the show Modifications, Aarhus Kunstbygning, Aarhus, Denmark, (YES! Association/Föreningen
JA!), initiated by the Camel Collective
-THE MODERNA EXHIBITION 2010, Moderna Museet, Stockholm, (YES! Association/Föreningen JA!) curated by Fredrik Liew with Gertrud
Sandqvist and Lisa Rosendahl
-NEW POSITIONS IN EUROPEAN CONTEMPORARY ART, Y-Gallery, Minsk, Belarus curated by Martin Schibli
-(Dis)Agreements: the utility, effectiveness, and problematics of categories at making ourselves visible:a day-long project in feminist space-making,
Elizabeth A.Sackler Center for Feminist Art, Brooklyn Museum, New York, (YES! Association/Föreningen JA!), initiated by Liz Linden and Jen
Kennedy
2009………-Living in a Modern Society, Kaliningrad State Art Gallery, curated by Martin Schibli
-Asia Panic, Second Gwangju Art Vision, Gwangju Biennale Exhibition Hall. Gwangju, South Korea, curated by Chang Suk-won and Choi Jae-chang
-Lively presence, 7th Biennale of Mercosur, Porto Alegre, Brazil and Galeria Metropolitana, Santiago de Chile, Chile, editorial project curated by
Instituto Divorciado
-A Space on the Side of the Road, Röda Sten, Gothenburg, Sweden (YES! Association/Föreningen JA!) curated by Kajsa Dahlberg and Henrik
Andersson
-Feminist lines of flight in art and politics, part of the project How Do We Go On initiated by Faith Wilding and Kate Davis, CCA, Glasgow
-Incheon Women Artist’s Biennial, Incheon, South Korea, curated by Heng-Gil Han a.o.
-Interface: Nature, Nurtue Art, New York, curated by Nina Horisaki-Christens
-Film Idyll, Klubb Idyll, Högkvarteret, Stockholm
-Experiments in Living, Centre for Contemporary Art, Glasgow, curated by Bildwechsel Glasgow
2008………-Moot Points: Exercises in Self Organisation, Discourse and Collaboration, YES! Association/Föreningen JA! in collaboration with Kajsa Dahlberg,
Transmission Gallery, Glasgow, UK, curated by Kathryn Elkin
-Metro-Poles: Art in Action, Bronx River Art Center, New York, curated by José Ruiz, Robert Lee, Heng-Gil Han and Elisabeth Akkerman
-Dwelling Place, Taiwan International Video Art Exhibition, Hong-Gah Museum, Taipei, Taiwan
-Mornings in Mexico, curated by Steven Lam and Tamar Guimaraes at Farewell to Postcolonialism, Third Guangzhou Triennial, Guangzhou, China,
curated by Gao Shiming, Sarat Maharaj, Chang Tsong-zung, a.o
-Living in a Modern Society at QUI VIVE? I Moscow International Biennale for Young Art, L-Gallery, Moscow, curated by Martin Schibli
-Whitney Independent Study Program, Studio Program Exhibition, former DIA Center for the Arts, New York
-475 KENT lives, Queens Museum of Art, Belova Centre, New York, curated Koan Jeff Baysa
-Out of place, Cinemateket, curated by Filmform, Stockholm
-Rencontres Internationales Paris/Berlin/Madrid, Haus der Kulturen der Welt, Berlin, National Museum Reina Sofia, Madrid, curated by Nathalie Henon
and Jean Francois Retting
-Privilege Walk/Symposuim, Lilith Performance Studio, Malmö, organized by YES! Association/Föreningen JA!
2007………-Ernte, Museum zu Allerheiligen Schaffhausen, Kunstverein Schaffhausen, Switzerland
-Konstfeminism, Göteborgs Konstmuseum, Göteborg, curated by Anna Livion, Barbro Werkmäster, Niclas Östlind
-Volume, 3rd Ward, New York, curated by Mariko Tanaka
-Foire/Fair comme si tout allait bien, As If All Were Well, Centre des arts actuels SKOL, Montréal, Canada
-Rencontres Internationales Paris/Berlin/Madrid, Centre Pompidou, Palais de Tokyo, Cinéma l’Entrepot (and other locations) Paris, curated by Nathalie
Henon and Jean Francois Retting
-Film Idyll, Klubb Idyll, Årsta Folkets hus, Stockholm
2006………-Studio Visit, Exit Art, New York
-Sweden 16, Norrtälje Konsthall, Norrtälje, Sweden, curated by Helen Hedensjö
-Konstfeminism, Liljevalchs Konsthall, Stockholm, Hälsinglands museum, Hudiksvall, SWE, curated by Anna Livion, Barbro Werkmäster, Niclas Östlind
-Systerskapets år/A year of sisterhood at Ladyfest, Berlin, Pridehouse, Stockholm Pride Festival, Ladyfest, Toulouse, France, Kvar- the malfunction, 3rd
Queer Beograd Festival, Oueer Beograd, Belgrade, Serbia
2005………-KM.0 0/5 URBANO, Contemporary Art Museum, Santa Cruz, Bolivia
-Konstfeminism, Dunkers Kulturhus Helsingborg,SWE, curated by Anna Livion, Barbro Werkmäster, Niclas Östlind
-Oslo Mobile Kunsthall, Oslo Kunsthall / aiPotu, Oslo, curated by ak28 and aiPotu
-Changdonggo, Changdong Art Studios, Seoul
-Moderna by Night/Artistic Strategies, Moderna Museet, Stockholm, curated by Catrin Lundqvist, Josefin Herolf, Kim Einarsson a.o.
-Telltale, Ewha Art Centre, Seoul, Curated by Jiyoon Lee
-Stockholm Art Fair, with Museum Anna Nordlander, Stockholm
-Systerskapets år/A year of sisterhood at Centrum för genusstudier, Stockholms Universitet, Gävle Konstcentrum, curated by Pia Kristoffersson
Galleri Box, in conjuncture with the Gothenburg Biennale, Gothenburg, Cell 5, Helsingfors, ABF-Huset, Stockholm, Arbetets Museum,
Norrköping, Ladyfest, Malmö,
-Feministisk söndagsbio (Feminist Sunday Cinema) Motståndskafeet, Uppsala, Sweden, Tellus Biograf, Stockholm
-Feministfestivalen, Kafé 44, Stockholm, Umeå, Sweden, Gothenburg
-EMAP, Ewha Women’s University, Seoul, curated by Inhee Iris Moon a.o.
2004………-Hair and Sisterhood, Konstakuten, Stockholm, curated by Malin Arnell and Viktoria Brännström
-ArtFOG, Art Focused on Gender, Museum Anna Nordlander, Skellefteå, curated by Maria Sundström
-A Grain of Dust A Drop of Water, Gwangju Biennale 2004, Gwangju, South Korea, curated by Kerry Brougher, Sukwon Chang, Milena Kalinovska,
Roberto Pinto
-schwEDEN, Felleshaus, Nordischen Botschaften, Berlin, curated by Aris Fioretos
-The little garden workshop, Sparwasser, Berlin
2002………-Impact 3, Galerie Associative de la Photographie et de la Video, Strasbourg, curated by Yasmina Khouaidjia
2001………-ma/galerie helen adkins, Berlin
-cross female, Kunstverein Pforzheim e.V., Pforzheim, Germany, curated by Barbara Höffer and Valeria Schulte Fischedick
Solo Shows
2019............-En Trädas Biografi–Fogelstadgruppen och jord / Biography of A Fallow–The Fogelstad group and earth, Esklistuna konstmuseum, Eskilstuna, SWE
2015……... -(art)work(sport)work(sex)work,The Power Plant, Toronto, Canada, curated by Julia Pauli (YES! Association/Föreningen JA!)
2012……... -Mary Wollstonecraft’s Scandinavian journey 1795 re-traced, uqbar, Berlin, curated by Antje Weitzel
-Mary Wollstonecraft’s Scandinavian journey 1795 re-traced, Kalmar Konstmuseum, Kalmar, Sweden, curated by Martin Schibli
2009………-The guide and the seeing man, Eskilstuna Konstmuseum, Eskilstuna, Sweden
2005………-Systerskapets år/A Year of Sisterhood as archive, in collaboration with Sonia Hedstrand, ak28, Stockholm, curated by Johanna Gustafsson-Fürst
-Systerskapets år/A Year of Sisterhood, in collaboration with Sonia Hedstrand, “Produktionsenhetens Projektrum”, Rooseum, Malmö, Sweden,
curated by Production Unit
2004………-Woojegil Museum, exhibition and workshop in collaboration with Ylva Elzén in connection with the 5th Gwangju Biennale, South Korea, curated by
Jongkee Chae
2003………-Grosse Liebe World Tour Del 1, in collaboration with Brian Manning Delaney, SL- montern Oden-plan, Stockholm
2002………-game, Skulpturens Hus, Stockholm
2001………-game, ma/galerie helen adkins, Berlin
-turisten, Galleri Mejan, Stockholm
2000………-Strich & Faden, ma/galerie helen adkins, Berlin
1999………-In front of the landscape, Janco-Dada Museum, Haifa, Israel, curated by Yona Fischer
-Cocooning, Sanskriti Kendra, New Delhi
-In the process of crystallization, Séparé museumsakademie, parallell to Daniele Buetti, Berlin
1998………-SALT, Edsvik Konst & Kultur, Stockholm, curated by Birgitta Hallerström Wallin
1997………-Public installation within the project Kopf an Kopf, Weimar
-Stilleben in Sodom, Städtisches Museum Zwickau, Zwickau, Germany, curated by Petra Lewy
Public talks / Seminars / Initiated workshops / Teach-ins
2019………-The Voice and the Institution, Academy of Fine Art Oslo, organized by Lisa Rosendahl and Marthe Ramm Fortun
2016………-Proposition #2 – A Republic of Letters, within OUR FUTURE NETWORK, 4 day workshop organized by Alex Martinis Roe, commissioned by
Casco, If I Can’t Dance I Don’t Want To Be Part Of Your Revolution, The Showroom (performance/workshop)
2012………-Taflor i ett bibliotek – Palmgrenmånad på Stadsbiblioteket, Stadsbiblioteket, Stockholm, organized by Hans Carlsson, (public talk/reading)
-What can art do for the real?, Kalmar Konstmuseum, Kalmar, Sweden, part of the project Self#governing by Marina Naprushkina, organized by
Martin Schibli (panel discussion)
2011………-Chisinau Circumvention – art and social progress in the peripheral regions, State University, Chisinau, Moldova, organized by Stefan Rusu and
Martin Schibli (conference)
-Institutions and their Feminist Discontents, College Art Association's Feminist Art Project, NYC, (YES! Association/Föreningen JA!),
organized by Johanna Burton and Julia Bryan-Wilson, (symposium)
2010………-Artistic Processes, Y-Gallery, Minsk, Belarus, organized by Martin Schibli (symposium)
-Can Art be Discriminating? A discussion about the application of the Discrimination Act on the field of art, by Naiti del Sante, part of the project
EQUALITY AGREEMENT 2010 (5 years later) Röda Sten, Gothenburg, (YES! Association/Föreningen JA!) (lecture
-NOBODY PUTS BABY IN THE CORNER, together with Hong-An Truong, New York initiated by Malin Arnell and Johanna Gustavsson (workshop)
-Introduction to EQUALITY AGREEMENT 2010 (5 years later) Röda Sten, Gothenburg (Förenigen JA!/The YES! Association) (seminar)
2008………-Privilege Walk/Symposium – Feminist and intersectional aspects of contemporary art, Lilith Performance Studio, Malmö, Sweden, 2-day symposium
with 14 invited lecturers, workshops and film screenings initiated by YES! Association/Föreningen JA!
-Moot Points: Exercises in Self Organisation, Discourse and Collaboration, Transmission Gallery, Glasgow, (YES! Association/Förenigen JA!) (public
talk)
2005………-Rooseum, Malmö, Sweden organized by the Production Unit (public talk)
-The artist as historiographer at Artistic Strategies, Moderna Museet, Stockholm, organized by Catrin Lundqvist, Josefin Herolf, Kim Einarsson a.o.
(symposium)
-Ewha Art Centre, organized by Jiyoon Lee (public talk)
-Centrum för Genusstudier (Centre for Gender studies), Stockholm University (public talk)
-Gävle Konstcentrum, organized by Pia Kristoffersson (public talk)
-ABF-Huset, Stockholm (public talk)
2004………-The little garden workshop, Sparwasser, Berlin (public talk)
-Feminism 2004, Malmö (public talk)
-Lets talk about feminism!, Woojegil Museum, in connection with the 5th Gwangju Biennale, South Korea (workshop)
Bibliography (selected)
2018………-Alex Martinis Roe, “To Become Two – Propositions for Feminist Collective Practice” Archive Books, in partnership with ar/ge kunst, Casco – Office
for Art, Design and Theory, If I Can’t Dance I Don’t Want To Be Part Of Your Revolution, The Showroom
2017………-Tobias Carroll, “Labor, Intimacy, and Revolution: An unlikely Artistic Convergence”, Brooklyn vol. 1, September 18
2013………-Catherine Lord, “Inside the body politic: 1980 – present”, in Catherine Lord and Richard Meyer (eds.) “Art and Queer Culture”, Phaidon Press
-“I am talking about something happening right here, right now”, text piece, YES! Association/Föreningen JA!, Recherches – A possible anthology
of signature, authorship, creativity and labour, editors Lucie Fontaine and Iaspis
-“Zyklische Gesellschaftsreise”, text piece and image insert, YES! Association/Föreningen JA! in RANDY #4 by A.K. Burns, Sophie Morner and
Clark Solack, Capricious, Brooklyn
-Camel Collective, “The Second World Congress of Free Artists: A Play in Three Acts”, Aarhus Kunsthall and the Danish Arts Councel
-Jessica Sjöholm Skrubbe & Malin Hedlin Hayden, “A Serious Suggestion: Give up the Goat, Art Collections and Feminist Critique in Sweden”, in
Angela Dimitrakaki & Lara Perry (eds.) “Politics in a Glass Case – Feminism, exhibition cultures and curatorial transgressions”,
Liverpool University Press
-Karin Hindsbo, “Art, Gender and Equality in Scandinavia” catalogue text, The Beginning is Always Today – Contemporary Feminist Art in
Scandinavia, SKMU, BONO
-Karoline Mueller-Stahj, “An Artistic Investigation of Time”, catalogue text, Cliché verres, MMKoehn and Vlado & Maria Ondrej – Atelier für
Radierung, Leipzig
-Frank Motz, catalogue text, Cliché verres, MMKoehn and Vlado & Maria Ondrej – Atelier für Radierung, Leipzig
2012………-Corrine Fitzpatrick, “YES! Association/Föreningen JA!”, 500 Words, ARTFORUM.COM, November 5
-Amy Zion, “Hannah Arendt & Contemporary Art”, Hannah Arendt Center blog,Bard College, August 29
-“Writing Exercise No. 2 Topic: Intention Date: 25th August 2011 Place: Malmö”, text piece, YES! Association/Föreningen JA!, SHIFTER #18
2010………-Sinziana Ravini, “Friktionsfritt och förföriskt – Modernautställingen 2010” (Frictionless and Seductive – The Moderna exhibition 2010), Dagens
Nyheter, October 5
-Fia-Stina Sandlund, “JA till Brooklyn!” (YES to Brooklyn!), Helsingborgs Dagblad, June 25
-Image insert, NOBODY PUTS BABY IN THE CORNER publication, initiated by Malin Arnell and Johanna Gustavsson
2009………-Sinziana Ravini, “The Last Temptations of Socio-Romanticism“, SITE nr. 28
-Julia Marsh, “Feminism: Beyond the Post that Never Was”, Space Magazine, August
-“När Helvetet Frös Över – En iscensättning i 4 delar” (When Hell Froze Over – a performance in 4 parts) text and image insert by YES! Association/
Föreningen JA!, Mana #4-5, editors Nadia Mazzoni and Jacqueline Hoang Nguyen
-Karin Faxén, “Projekt i Göteborg ska engagera besökare” (Projects in Gothenburg will engage the visitors) concerning YES! Association/Föreningen
JA!, Dagens Nyheter, June 18
-Mia Gerdin, radio interview with YES! Association/Föreningen JA!, Kulturnytt P1, June 19
2008………-Amanda Svensson, “Manliga måttstockar” (Male benchmarks) concerning YES! Association/Föreningen JA!, Sydsvenska Dagbladet, September 9
-Carolina Söderholm, “Att göra skillnad” (To make difference), concerning YES! Association/Föreningen JA!, Sydsvenska Dagbladet, September 18
-Chen Yung-Hsien, “Dwelling Place – Contemporary Video Art vs. Dwelling Culture”, catalogue text, Dwelling
Place, 2008 Taiwan International Video Art Exhibition, Chew’s Cultural Foundation
2006………-“Kid / I’ll be you if you’ll be me”, catalogue text and image insert, Tio år med Konstakuten, red. Konstakuten
2005………-Anna Livion Ingvarsson, “Att ta plats” (To claim space), catalogue text Konstfeminism, Riksutställningar
-Eleanor Heartney, “Gwangju Biennale”, Art in America, May
-Karolina Ramqvist, “Åsa Elzén (arkivarie)” (Åsa Elzén – archivist), Arena, April
-Lina Kalmteg, “Tredje vågens feminism på film” (Third wave feminism on film), Dagens Nyheter, 8th of March
-Jeanette Gentele, “Vad är syftet med feministfilmen?” (What is the purpose of the feminist film?), Svenska Dagbladet, 6th of March
-Anne Hedén, “Vikten av att synas” (The importance of being seen), Expressen, 8th of March
-Milla Eronen, “Har ni gjort världens längsta feministfilm?” (Have you made the longest feminist film in the world?), Arbetaren, issue no. 10
-Johanna Gustafsson (guest curator), “Ett år av systerskap” (A year of sisterhood), Bang, issue no. 1
-Hanna Navier, “De visar nio timmar feminism på kvinnodagen” (They show nine hours of feminism on the international women’s day),
www.stockholmsfria.nu, 4th of March
-“Hey och hallå”, Ordfront, March
-“Systerskap och kvinnokamp på 8 mars” ( Sisterhood and women’s struggle on the 8th of March), Stockholms Fria Tidning, issue no. 9
-Jiyoon Lee, catalogue text, Telltale, Art Centre Ewha
2004………-Miki Dedijer (viewer participant), catalogue text, Gwangju Biennale 2004, Gwangju Biennale Foundation
-Niclas Östlind, "Samtid och historia, separatism eller inte...“ (The present and history, separatism or not…), catalogue text, artFOG, Museum Anna
Nordlander
2000………-Barbara Höffer & Valeria Schulte-Fischedick, catalogue text Cross Female – Methaphors of femininity in the Art of the 90s, Galerie Pfefferberg/
Pfefferwerk e.V.
1999………-Gurleen Grewal, catalogue text, Cocooning, Sanskriti Kendra Foundation and UNESCO IFPC
-Karin Malmquist, catalogue text, Konst är konst – allt annat är allt annat, (Art is art – everything else is everything else) Edsvik Konst & Kultur
1998………-Nina Weibull, “Sött? Salt? Bittert ambivalent” (Sweet? Salty? Bitterly ambivalent), Aftonbladet, 11th of Jan
Fellowships / Grants / Artist in residencies / Workshop participation
2019……….-Project grant, The Arts Grants Committee Sweden
2018……....-Two-year working grant, The Arts Grants Committee Sweden
2013………-Two-year working grant, The Arts Grants Committee Sweden
-Cliché verre workshop, Atelier für Radierung Leipzig
2011………-Project grant, The Arts Grants Committee Sweden
2009………-IASPIS, International culture exchange grant, IWAB, Incheon, South Korea
-Nordic Culture Point, Mobility funding
-Transient Spaces, The Tourist Syndrome Summer Camp, 1 week workshop in Palanga, Lithuania, organized by uqbar, Berlin a.o.
2008………-Nordic Culture Point, Mobility funding
-Letterstetdska föreningen, project grant
2007………-IASPIS, International culture exchange grant, Whitney ISP, New York
2005………-KM0. 0/5 URBANO, 2 week workshop in Santa Cruz, Bolivia
-IASPIS, International culture exchange grant, workshop Santa Cruz, Bolivia
-Two-year working grant, The Arts Grants Committee Sweden
-IASPIS, exhibition grant abroad, Ewha Art Centre, Seoul, South Korea
2004………-Changdong Art Studios, artist in residence, Seoul, South Korea
2003………-Project grant, The Arts Grants Committee Sweden, with Sonia Hedstrand
-Stiftelsen Längmanska Kulturfonden grant, with Sonia Hedstrand
-Helge Ax:son Johnsons Stiftelse grant, with Brian Manning Delaney
2002………-Stellan, Sten och Märtha Hähnels Minnesfond fellowship
-Helge Ax:son Johnsons Stiftelse fellowship
2000………-IASPIS, exhibition grant abroad, Künstlerhaus Bethanien, Berlin
1999………-UNESCO-Int. Fund for the Promotion of Culture, artist in residence, Sanskriti Kendra, New Delhi
-JCVA, Jerusalem Centre for the Visual Arts, artist in residence, Jerusalem
1998………-Studio apartment in Berlin with support from Kultursenat Berlin
1997………-Two-year working grant, The Arts Grants Committee Sweden
-IASPIS, International Artist’s Studio Program in Stockholm, artist in residence, Stockholm
-JCVA, Jerusalem Centre for the Visual Arts, artist in residence, Jerusalem
-ACC, artist in residence, Weimar
Teaching / Lectures
2014………-Our collective memory, right here, right now, Funen Art Academy, Odense, Denmark (6 days of lectures, workshop, individual meetings, group
critiques + 5 weeks independent studio work, exhibition)
2013………-Tromsø Academy of Contemporary Art, Norway (3 days: lecture, workshop)
2012………-Ölands Konstskola; Sweden (2 days: lectures, workshop, group critiques)
2011………-Örebro Konstskola, Sweden (2 weeks: lectures, workshop, individual meetings)
2010………-Jan van Eyck Academie, Maastricht, The Netherlands, (YES! Association/Föreningen JA! organized by Rebecka Thor, (lecture)
-Är det på riktigt eller är det bara konst? (Is it for real or is it just art?) Örebro Konstskola, Sweden, (2 weeks: lectures, workshops, individual
meetings, group critiques)
-Högskolan för fotografi, Gothenburg (1 day: lecture, individual meetings)
-Örebro Konstskola, Sweden, (1 day: lecture, individual meetings)
2006………-Material & Gen(i)us (Material and gender/genius) Örebro Konstskola, Sweden, (3 weeks: lectures, workshop, individual meetings, group critiques)
2005………-Ewha Woman’s University, College of Art & Design, Seoul, (1 day: lecture, individual meetings)
-Örebro Konstskola, Sweden (3 days: lectures, workshop, individual meetings, group critiques)
-Material & Gen(i)us (Material and gender/genius), Örebro Konstskola, Sweden (4 days: : lectures, workshop, individual meetings, group critiques)
Other
2018………-Forest Calling – A Never-ending Contaminated Collaboration or Dancing is a Form of Forest Knowledge, Public art commission in collaboration
with Malin Arnell, Lokala Konstprojekt, Statens Konstråd / Public Art Agency Sweden (2019-20)
2012………-Jury member, 19th International Studio Program “With Criminal Energy – Art and Crime in the 21st Century”,
ACC Galerie Weimar and the City of Weimar
2008-09…..-Program Assistant, Whitney Independent Study Program, New York
2008-18…..-Board member, YES! Association / Föreningen JA!